Search Worlds Without End

Amnesiascope edges Los Angeles up against the next millennium and into a vortex of fire. Anarchic, relentlessly eroticized, and ravaged by cataclysm, it is an ecstatic landscape of floating time zones and time-capsule cemeteries, beachside bunkers and ghost airports, Persian domes and towering telescopes that refract memory - a landscape overrun by abducted strippers, nomadic artists, reluctant pornographers, subversive newspaper columnists, alienated movie critics, teenage hookers afraid of the rain, and legendary film-makers who may or may not exist.

"I love the ashes," writes the narrator. "I love driving across one black ring after another all the way to the sea, through the charred palisades. In this particular epoch, when sex is the last subversive act, I'm a guerilla, spending my conscience in a white stream that douses no fires but its own."

Our Ecstatic Days begins as the memoir of a young mother desperate to forget a single act, committed out of love and fear, that has changed forever the world around her.

In the waning days of summer, a lake appears, almost overnight, in the middle of Los Angeles. In an instant of either madness or revelation, convinced that the lake means to take her small son from her, Kristin becomes determined to stop it. Three thousand miles away, on the eve of a momentous event, another young woman - with a bond to Kristin that she can't even know - meets a mysterious figure who announces in the dark, "The Age of Chaos is here."

Against a forbidden landscape that shimmers with destiny and yearning, Our Ecstatic Days finally takes place on the terrain of a defiant heart. Human connections multiply into astonishing twists of fate - by which the wrongs of an obsolete century may be set right - and parallel lives spin faster toward the possibility that they will once again unite, electrifying a vision of the century to come.

In a dystopian Los Angeles, Cale is a newly released political prisoner under surveillance. Beset by dark visions and relegated to working in a desolate library, he's told, without explanation, that he's "the one everyone's looking for." For Catherine, a mysterious South American beauty, the crossing is no less extreme: Leaving her tribal life, she undergoes various confinements and escapes before winding up at the door of a Hollywood screenwriter. Finally Jack Mick Lake, possessed by numerology, must negotiate a river all his own.

When the Twin Towers suddenly reappear in the Badlands of South Dakota twenty years after their fall, nobody can explain their return. To the hundreds, then thousands, then tens of thousands drawn tothe "American Stonehenge"--including Parker and Zema, siblings on their way from L.A. to visit their mother in Michigan--the Towers seem to sing, even as everybody hears a different song. A rumor overtakes the throng that someone can be seen in the high windows of the southern structure.

On the ninety-third floor, Jesse Presley--the stillborn twin of the most famous singer who ever lived--suddenly awakes, driven mad over the hours and days tocome by a voice in his head that sounds like his but isn't, and by the memory of a country where he survived in his brother's place. Meanwhile, Parker and Zema cross a possessed landscape by a mysterious detour no one knows, charted on a map that no one has seen.

Haunting, audacious, and undaunted, Shadowbahn is a winding and reckless ride through intersections of danger, destiny, and the conjoined halves of a ruptured nation.

In the final seconds of the old millennium, 1,999 women and children march off the edge of a cliff in Northern California, urged on by a cult of silent men in white robes. Kristin was meant to be the two-thousandth to fall. But when at the last moment she flees, she exchanges one dark destiny for a future that will unravel the present.

Answering a cryptic personals ad for a woman "at the end of her rope," Kristin finds temporary haven in the Hollywood Hills with an older, unnamed man as obsessed as he is spiritually ravaged. In a locked room at the bottom of his house, he labors over his life's work: a massive blue calendar the size of a tsunami that measures modern time by the events of chaos and pinpoints the true beginning of the new millenium as not midnight December 31, 1999, but the early hours of one May morning in 1968. This calendar is shot through with the threads of other lives-those searching for a small measure of redemption and an answer to the question, "What's missing from the world?"

From a ritual sacrifice in the name of salvation to a ritual sacrifice in the name of pleasure, from an ancient haunted Celtic tower in Brittany to the revolving memory hotels of Tokyo, from a cinematic hoax in Manhattan that costs five women their lives to a mysterious bloodstained set of coordinates tacked to the wall of an abandoned San Francisco penthouse, The Sea Came at Midnight is a breathtaking literary dance of fate and coincidence. And, unknown even to her, at the center of that dance is the seventeen-year-old.

Cutting a terrifying path from a Pennsylvania farm to the Europe of the 1930s, Banning Jainlight becomes the private pornographer of the world's most evil man. In a Vienna window, he glimpses the face of a lost erotic dream, and from there travels to the Twentieth Century's darkest corner to confront its shocked and secret conscience. One of Steve Erickson's most acclaimed novels, Tours of the Black Clock crosses the intersections of passion and power and gazes into a clock with no face, where memory is the gravity of time and all the numbers fall like rain.