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A solitary ship captain, drifting through time.

Nia Imani is a woman out of place. Traveling through the stars condenses decades into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her. She lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.

A mute child, burdened with unimaginable power.

The scarred boy does not speak, his only form of communication the haunting music he plays on an old wooden flute. Captured by his songs and otherworldly nature, Nia decides to take the boy in to live amongst her crew. Soon, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself. For both of them, a family. But Nia is not the only one who wants the boy.

A millennia-old woman, poised to burn down the future.

Fumiko Nakajima designed the ships that allowed humanity to flee a dying Earth. One thousand years later, she now regrets what she has done in the name of progress. When chance brings Fumiko, Nia, and the child together, she recognizes the potential of his gifts, and what will happen if the ruling powers discover him. So she sends the pair to the distant corners of space to hide them as she crafts a plan to redeem her old mistakes.

But time is running out. The past hungers for the boy, and when it catches up, it threatens to tear this makeshift family apart.

Two hundred and seventy-four years after the fall of the WorldWeb in Fall of Hyperion, Raoul Endymion is sent on a quest. Retrieving Aenea from the Sphinx before the Church troops reach her is only the beginning. With help from a blue-skinned android named A. Bettik, Raoul and Aenea travel the river Tethys, pursued by Father Captain Frederico DeSoya, an influential warrior-priest and his troops. The shrike continues to make enigmatic appearances, and while many questions were raised in Hyperion and Fall of Hyperion, still more are raised here. Raoul's quest will continue.

H. G. Wells

Scientific visionary. Social prophet. Master storyteller. Few novelists have captivated generations of readers like H. G. Wells. In enduring, electrifying detail, he takes us to dimensions of time and space that have haunted our dreams for centuries -- and shows us ourselves as we really are.

The Time Machine

In the heart of Victorian England, an inquisitve gentleman known only as the Time Traveler constructs an elaborate invention that hurtles him hundreds of thousands of years into the future. There he finds himself in the violent center of the ultimate conflict between beings of light and creatures of darkness.

The War of the Worlds

Martians invade Great Britain, laying waste turn-of-the-century London. This tale of conquest by superior beings with superadvanced technology is so nightmarishly real that an adaptation by Orson Welles and the Mercury Theater sent hundreds of impressionable radio listeners into panicked flight forty years after the story's original publication.

A unique imagination illuminates all of William Tenn's work. In this remarkable collection of his short stories, he ranges from the hilarious to the serious, demonstrating vividly his gift for making any dimension of reality as real and immediate as your own street. There are four or five amazing hours of reading for you in this book.

When a Victorian scientist propels himself into the year a.d. 802,701, he is initially delighted to find that suffering has been replaced by beauty, contentment, and peace. Entranced at first by the Eloi, an elfin species descended from man, he soon realizes that these beautiful people are simply remnants of a once-great culture—now weak and childishly afraid of the dark.

They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race descended from humanity—the sinister Morlocks. And when the scientist’s time machine vanishes, it becomes clear he must search these tunnels if he is ever to return to his own era.

Severian, formerly a member of the Torturers' Guild and now Autarch of Urth, travels beyond the boundaries of time and space aboard the Ship of Tzadkiel on a mission to bring the New Sun to his dying planet.

When Jherek Carnelian meets Mrs Amelia Underwood, a lady time traveller from 1896, he determines to possess her and finds himself being plunged backwards in time to Victorian London. An Alien Heat is set in a crazy world of jewelled cities with ripe, rotting technologies…

A group of scientists from the far future have hit upon the perfect method of moving people through time--they engineer disasters in what we call the present, and whisk the people away, forward in time, a fraction of a second before they are to die. When an investigator begins his investigation into a midair collision between two planes, he never dreams that he will turn up evidence of time travel.

Enter a decaying far, far future society, a time when anything and everything is possible, where words like 'conscience' and 'morality' are meaningless, and where heartfelt love blossoms mysteriously between Mrs Amelia Underwood, an unwilling time traveller, and Jherek Carnelian, a bemused denizen of the End of Time.

The Dancers at the End of Time, containing the novels An Alien Heat, The Hollow Lands and The End of All Songs, is a brilliant homage to the 1890s of Wilde, Beardsley and the fin de siecle decadents, satire at its sharpest and most colourful.

This is the omnibus edition of the three books in The Dancers at the End of Time series.

Dr. Eric Sweetscent has problems. His planet is enmeshed in an unwinnable war. His wife is lethally addicted to a drug that whips its users helplessly back and forth across time -- and is hell-bent on making Eric suffer along with her. And Sweetscent's newest patient is not only the most important man on the embattled planet Earth but quite possibly the sickest. For Secretary Gino Molinari has turned his mortal illness into an instrument of political policy -- and Eric cannot tell if his job is to make the Male better or to keep him poised just this side of death.

Now Wait for Last fear bursts through the envelope between the impossible and the inevitable. Even as ushers us into a future that looks uncannily like the present, it makes the normal seem terrifyingly provisional -- and compels anyone who reads it to wonder if he really knows what time it is.

1962: A young Californian scientist finds his experiments spoiled by mysterious interference. Gradually his suspicions lead him to a shattering truth: scientists from the end of the century are using subatomic particles to send a message into the past, in the hope that history can be changed and a world-threatening catastrophe averted.

In which we find Jherek Carnelian, one of the small population of hedonistic immortals remaining on Earth at the end of time, still obsessively in love with Amelia Underwood, a reluctant time-traveller form Victorian England.

After narrowly escaping death in 19th century London, Jherek is separated from his love by several millenia, and so he begins a new, headlong campaign -- seesawing through time and space regardless of risk and consequence -- to reunite himself with Mrs. Underwood.

One moment Joseph Schwartz is a happily retired tailor in Chicago, 1949. The next he's a helpless stranger on Earth during the heyday of the first Galactic Empire. Earth, as he soon learns, is a backwater, just a pebble in the sky, despised by all the other 200 million planets of the Empire because its people dare to claim it's the original home of man. And Earth is poor, with great areas of radioactivity ruining much of its soil--so poor that everyone is sentenced to death at the age of sixty. Joseph Schwartz is sixty-two.

This is young Isaac Asimov's first novel, full of wonders and ideas, the book that launched the novels of the Galactic Empire, culminating in the Foundation series. This is Golden Age SF at its finest.

A whisperjewel summoned him to Worlorn, and a love he thought he'd lost. But Worlorn isn't the world Dirk t'Larien imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight, forever falling toward night. Amid this bleak landscape is a violent clash of cultures in which there is no code of honor - and the hunter and the hunted are often interchangeable.

Caught up in a dangerous triangle, Gwen is in need of Dirk's protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her - and his cunning cohort. But an impenetrable veil of secrecy surrounds them all, and it's becoming impossible for Dirk to distinguish between his allies and his enemies. While each will fight to stay alive, one is waiting for escape, one for revenge, and another for a brutal, untimely demise.

Do you dream of a city at the end of time?

In a time like the present, in a world that may or may not be our own, three young people - Ginny, Jack, and Daniel - dream of a doomed, decadent city of the distant future: the Kalpa. Ginny's and Jack's dreams overtake them without warning, leaving their bodies behind while carrying their consciousnesses forward, into the minds of two inhabitants of the Kalpa - a would-be warrior, Jebrassy, and an inquisitive explorer, Tiadba - who have been genetically retro-engineered to possess qualities of ancient humanity. As for Daniel: He dreams of an empty darkness - all that his future holds.

But more than dreams link Ginny, Jack, and Daniel. They are fate-shifters, born with the ability to skip like stones across the surface of the fifth dimension, inhabiting alternate versions of themselves. And each guards an object whose origin and purpose are unknown: gnarled, stony artifacts called sum-runners that persist unchanged through all versions of time.

Hunted by others with similar powers who seek the sum-runners on behalf of a terrifying, goddess-like entity known as the Chalk Princess, Ginny, Jack, and Daniel are drawn, despite themselves, into an all but hopeless mission to rescue the future - and complete the greatest achievement in human history.

In a future when Earth is a toxic, abandoned world and humanity has spread into the outer solar system to survive, the tightly controlled use of time travel holds the key maintaining a fragile existence among the other planets and their moons. James Griffin-Mars is a chronman -- a convicted criminal recruited for his unique psychological makeup to undertake the most dangerous job there is: missions into Earth's past to recover resources and treasure without altering the timeline. Most chronmen never reach old age, and James is reaching his breaking point.

On a final mission that is to secure his retirement, James meets an intriguing woman from a previous century, scientist Elise Kim, who is fated to die during the destruction of an oceanic rig. Against his training and his common sense, James brings her back to the future with him, saving her life, but turning them both into fugitives. Remaining free means losing themselves in the wild and poisonous wastes of Earth, and discovering what hope may yet remain for humanity's home world.

The New York Times called him "relentlessly honest" and then used him as the subject of its famous Sunday Acrostic. People Magizine said there was no one like him, then cursed him for preventing easy sleep.

But in these stories Harlan Ellison outdoes himself, rampaging like a mad thing through love ("Cold Friend", "Kiss of Fire", "Paulie Charmed the Sleeping Woman"), hate ("Knox", "Silent in Gehenna"), sex ("Catman", "Erotophobia"), lost childhood ("One Life, Furnished in Early Poverty") and into such bizarre subjects as the problems of blue-skinned, eleven-armed Yiddish aliens, what it's like to witness the end of the world and what happens on the day the planet Earth swallows Barbra Streisand.

Oh yeah, this one's a doozy!

Table of Contents:

• Foreword: Approaching Ellison - (1974) - essay by Michael Crichton
• Introduction: Reaping the Whirlwind - (1974) - essay
• One Life, Furnished in Early Poverty - (1970)
• Knox - (1974)
• Cold Friend - (1973)
• Kiss of Fire - (1973)
• Paulie Charmed the Sleeping Woman - (1962)
• I'm Looking for Kadak - (1974)
• Silent in Gehenna - (1971)
• Erotophobia - (1971)
• Ecowareness - (1974)
• Catman - (1974)
• Hindsight: 480 Seconds - (1973)

SFWA Grand Master James Gunn's This Fortress World takes place in the far future of our galaxy, when countless civilizations have risen and fallen, leaving only their marvelous scientific achievements as legacy to those worlds which have now fallen into a new Dark Age. On the planet Brancusi, William Dane, an acolyte monk in the all-powerful Church, comes into possession of a crystal pebble dropped in the offering plate, a stolen treasure believed to hold untold secrets of mankind's past. There are powerful men who will stop at nothing, including murder, to recover this ancient artifact. Ignorant of the outside world, who can Dane find to help, and who should be trusted with the pebble's secrets?

On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible.

When the Needle's director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it's only because her brain is host to a quantum artificial intelligence called Altair.

But Altair knows something he can't tell.

Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?