Search Worlds Without End

Norah is a nine-year-old girl who seems to materialise out of thin air when she arrives one bitterly cold night on the doorstep of Margaret Quinn, a widow who lives alone. Norah becomes Margaret's secret, a child possessed of magical qualities. But who is she really? And what is her purpose here?

Keith Donohue has been praised for his vivid imagination and for evoking "the otherworldly with humor and the ordinary with wonder" (Audrey Niffenegger). His first novel, The Stolen Child, was a national bestseller, and his second novel, Angels of Destruction, was hailed as "a magical tale of love and redemption that is as wonderfully written as it is captivating" (Pittsburgh Post-Gazette). Centuries of June is a bold departure, a work of dazzling breadth and technical virtuosity.

Set in the bathroom of an old house just before dawn on a night in June, Centuries of June is a black comedy about a man who is attempting to tell the story of how he ended up on the floor with a hole in his head. But he keeps getting interrupted by a series of suspects--eight women lying in the bedroom just down the hall. Each woman tells a story drawn from five centuries of American myth and legend in a wild medley of styles and voices.

Centuries of June is a romp through history, a madcap murder mystery, an existential ghost story, and a stunning tour de force at once ingenious, sexy, inspiring, and ultimately deeply moving.

From the New York Times bestselling author of The Stolen Child comes a "classically hypnotic horror story" (Time Out New York) about a young boy trapped inside his own world, whose drawings blur the lines between fantasy and reality.

Ever since he nearly drowned in the ocean three years earlier, ten-year-old Jack Peter Keenan has been deathly afraid to leave his home in a small coastal town in Maine. Instead, Jack Peter begins to draw monsters, and when those monsters take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean. When she seeks answers from the local Catholic priest and his Japanese housekeeper, they fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy's only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the terrors that lurk in the outside world.

Keith Donohue's The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild.

In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside.

The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins the dual odyssey of Keith Donohue's The Motion of Puppets: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.

"I am a changeling - a word that describes within its own name what we are bound and intended to do. We kidnap a human child and replace him or her with one of our own...." The double story of Henry Day begins in 1949, when he is kidnapped at age seven by a band of wild childlike beings who live in an ancient, secret community in the forest. The changelings rename their captive Aniday and he becomes, like them, unaging and stuck in time. They leave one of their own to take his place, an imposter who must try - with varying success - to hide his true identity from the Day family. As the changeling Henry grows up, he is haunted by glimpses of his lost double and by vague memories of his own childhood a century earlier. Narrated in turns by Henry and Aniday, The Stolen Child follows them as their lives converge, driven by their obsessive search for who they were before they changed places in the world. Moving from a realistic setting in small-town America deep into the forest of humankind's most basic desires and fears, this remarkable novel is a haunting fable about identity and the illusory innocence of childhood.